{"id":788,"date":"2020-12-23T00:22:20","date_gmt":"2020-12-23T00:22:20","guid":{"rendered":"https:\/\/angelicacabrera.site\/?page_id=788"},"modified":"2026-04-20T03:00:24","modified_gmt":"2026-04-20T03:00:24","slug":"publications","status":"publish","type":"page","link":"https:\/\/angelicacabrera.site\/index.php\/publications\/","title":{"rendered":""},"content":{"rendered":"\n
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Books<\/strong><\/p>\n\n\n\n

The Multiverse as Theory in Postmodern Speculative Fictional Narratives<\/em><\/a>. London\/New York: Routledge, 2024.<\/p>\n\n\n\n

What if a\u2026Multiversity? Literatura y ciencia en la obra de Grant Morrison<\/a>.<\/em> Madrid: Ediciones Marmotilla, 2019.<\/p>\n\n\n\n

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Book Chapters<\/strong><\/p>\n\n\n\n

“El cruce tempoespacial de dos mundos: replanteando Okinawa en la obra de Sakiyama Tami a trav\u00e9s de la idea de la ‘isla’<\/a>“, pp. 185-202. In Gonz\u00e1lez, E. (ed.) La b\u00fasqueda de Okinawa. Estudios sobre el archipi\u00e9lago sur de Jap\u00f3n<\/em>, Bellaterra Edicions, 2025.<\/p>\n\n\n\n

“Supernatural is Subaltern: the Border Representation of Latinx Folklore and Martial Arts in Seis Manos<\/em><\/a>“, pp. 151-173. In Marini, A. (ed.) Latinx Representation in Contemporary Popular Culture and New Media<\/em>, Brill, 2024.<\/p>\n\n\n\n

“Ontological Ambiguity: Crisis, Hyperfiction and Social Narratives in Postmodern Japan<\/a>\u201d, pp. 224-239. In Alimardanian, M. and Heffernan, T. (eds.) The Anthropology of Ambiguity: Theory, Praxis and Critique<\/em>, Manchester University Press, 2024.<\/p>\n\n\n\n

\u201cCapitalismo y cibern\u00e9tica en la era de la tecnovigilancia<\/a>\u201d (co-authored), pp. 183-212. In Constante, A and R. Chaverry (comp). Inteligencia artificial, privacidad en quiebra y p\u00e9rdida del gobierno de nosotros mismos,<\/em> Viceversa-UNAM, 2023. <\/p>\n\n\n\n

“Privacidad y consentimiento en dispositivos neurotecnol\u00f3gicos: un estudio cr\u00edtico desde la idea de biocapitalizaci\u00f3n<\/a>\u201d, pp. 51-75. In Garc\u00eda, Pedro, et al. (coords.) Neuro\u00e9tica y biopol\u00edtica. Pensar la subjetividad en la \u00e9poca de la tecnociencia<\/em>, UNAM, 2023.<\/p>\n\n\n\n

“La semi\u00f3tica de los par\u00e1sitos en ‘el Multiverso’ de The Multiversity<\/em> de Grant Morrison<\/a>\u201d, pp. 185-204. In Trabado, Jos\u00e9 Manuel (ed.). Lenguajes gr\u00e1fico-narrativos. Especificidades, intermedialidades y teor\u00edas gr\u00e1ficas<\/em>. TREA, 2021.

\u201cMalinche (c.1500\u00ad-1527)<\/a>\u201d, pp. 739-743. In Goucher, Candice (ed.). Women Who Changed the World: Their Lives, Challenges, and Accomplishments through History<\/em>. Bloomsbury Publishing, 2022.

\u201cWorshipping Ancestors: A Decolonized Epistemology on Death Conceptions in Indigenous Okinawan and Mexican Worldviews<\/a>\u201d, pp. 159-182. In Olivieri, Chiara and Serrano, Jordi (eds). East Asia, Latin America, and the Decolonization of Transpacific Studies<\/em>. Palgrave Macmillan, 2022.<\/p>\n\n\n\n

\u201cContra la latencia: consideraciones \u00e9ticas en torno a la aceleraci\u00f3n desde el discurso de las neurociencias<\/a>\u201d, pp. 195-210. In Garc\u00eda, Pedro E., Santamaria, Perla and S\u00e1nchez, Pilar (eds.). Neurobiolog\u00eda de la moral: perspectivas cr\u00edticas desde la filosof\u00eda<\/em>. UNAM, 2021.<\/p>\n<\/div>\n\n\n\n

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Articles in peer-reviewed journals<\/strong><\/p>\n\n\n\n

\u201cThe technological invasion in the cyber\/punk graphic narratives of Blame!<\/em> , We3<\/em> , and The Private Eye<\/em><\/a><\/a>\u201d, Journal of Graphic Novels and Comics<\/em> (2026): 1\u201315. Scopus Q1.<\/p>\n\n\n\n

\u201cTempus fugit<\/em>, la fuga barroca frente a la crisis temporal contempor\u00e1nea<\/a>\u201d, Res Publica:<\/em> Revista de Historia de las Ideas Pol\u00edticas<\/em> 26, 3 (2023): 99-107. WoS-ESCI.<\/p>\n\n\n\n

\u201cVisiones del multiverso: microcosmos y totalidad en \u2018El Aleph\u2019 de Jorge Luis Borges<\/a>\u201d, Alpha: Revista de Artes, Letras y Filosof\u00eda<\/em>, 52 (2021): 121-139. Scopus, AHCI. <\/p>\n\n\n\n

\u201cTopolog\u00eda on\u00edrica: el sue\u00f1o como mundo paralelo<\/a>\u201d, Diferencia(s). Revista de Teor\u00eda Social Contempor\u00e1nea<\/em> 11 (2020): 59-68.<\/p>\n\n\n\n

\u201cWorshiping Ancestors: A Comparative Approach between Okinawan Ky\u016b Bon and Mexican D\u00eda de Muertos<\/a>\u201d, The International Journal of Religion and Spirituality in Society<\/em> 11, 1 (2020): 29-47. Scopus.<\/p>\n\n\n\n

\u201cMapas abstractos: Los posibles multiversos l\u00f3gicos en \u2018Tl\u00f6n, Uqbar, Orbis Tertius\u2019 de Jorge Luis Borges<\/a>\u201d, Themata: Revista de Filosof\u00eda<\/em>, 60, (2019): 117-132. WoS-ESCI.<\/p>\n\n\n\n

\u201cAllegories of Japanese Women in Paprika<\/em> by Yasutaka Tsutsui and Satoshi Kon<\/a>\u201d, The Electronic Journal of Contemporary Japanese Studies<\/em>, <\/em>19, 3, (2019).<\/p>\n\n\n\n

\u201cDel gusto por el extrav\u00edo: representaciones del multiverso en El jard\u00edn de los senderos que se bifurcan<\/em><\/a>\u201d, Variaciones Borges,<\/em><\/em> 45, (2018): 187-206.<\/p>\n\n\n\n

\u201cLas direcciones del pensamiento: La transdisciplina como alternativa de estudio<\/a>\u201d, Elementos: Revista de Ciencia y Cultura<\/em>, 24, 108, (2017): 9-13.<\/p>\n\n\n\n

\u201cEntre Escila y Caribdis: La agon\u00eda de las humanidades<\/a>\u201d, Ciencia y Desarrollo<\/em>, 43, 290, (2017): 6-9.<\/p>\n\n\n\n

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Books The Multiverse as Theory in Postmodern Speculative Fictional Narratives. London\/New York: Routledge, 2024. What if a\u2026Multiversity? Literatura y ciencia en la obra de Grant<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-788","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/angelicacabrera.site\/index.php\/wp-json\/wp\/v2\/pages\/788","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/angelicacabrera.site\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/angelicacabrera.site\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/angelicacabrera.site\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/angelicacabrera.site\/index.php\/wp-json\/wp\/v2\/comments?post=788"}],"version-history":[{"count":62,"href":"https:\/\/angelicacabrera.site\/index.php\/wp-json\/wp\/v2\/pages\/788\/revisions"}],"predecessor-version":[{"id":1325,"href":"https:\/\/angelicacabrera.site\/index.php\/wp-json\/wp\/v2\/pages\/788\/revisions\/1325"}],"wp:attachment":[{"href":"https:\/\/angelicacabrera.site\/index.php\/wp-json\/wp\/v2\/media?parent=788"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}